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October News͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
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Jeanne Hébuterne, 1919. Ohara Museum of Art, Kurashiki, Japan
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The Modigliani Initiative has been having a productive fall. We are looking forward to speaking about the Initiative’s mission at ICRA’s Annual Conference early next year (details below). We were also excited to see one of our essays, previously published on our website, referenced in a recent New York Times article. Modigliani and his work continue to be highlighted around the world, and we are preparing to unveil our latest in-depth research into an elusive model in an essay that we’ll share in next month’s newsletter. Stay tuned!
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ICRA Annual Conference: January 9, 2025
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We are thrilled to announce that The Modigliani Initiative has been invited to speak at the Annual Conference of the International Catalogue Raisonné Association (ICRA) on January 9, 2025 in London. The theme of this year’s conference is New Thinking About the Catalogue Raisonné. We hope you will attend and look forward to seeing you there. Please note that the event will also be live-streamed. For more information and updates on how to register, visit ICRA’s website here.
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Announcing: Newsletter Archive
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You asked and we listened! Some of our readers expressed an interest in accessing our previous newsletters, and we are pleased to announce that they are now available on our website. Follow this link to our Newsletter Archive.
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The Modigliani Initiative in the News
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George Kars, Portrait of Berthe Weill (detail), 1933. Private collection
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The Modigliani Initiative was honored to have our essay on the 1917 Galerie B. Weill exhibition linked to Hilarie M. Sheets’ New York Times review of the current Make Way for Berthe Weill exhibition at the Grey Art Museum. Sheets’s article provides an excellent overview of the pioneering yet forgotten art dealer’s career. For subscribers to the newspaper who missed the online version of the review, here is a link.
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Picasso, Modigliani & Modern Art
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Viking Eggeling, 1916. Lille Métropole Musée d'art moderne, d'art contemporain et d'art brut, Villeneuve-d'Ascq, France
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Picasso, Modigliani & Modern Art: Masterpieces from LaM Museum is now on view through February 9, 2025 at the Bund One Art Museum in Shanghai. This is the first collaboration between the Shanghai museum and the LaM (Lille Métropole Museum of Modern, Contemporary and Outsider Art), in Villeneuve d’Ascq, France. The show features nine works by Modigliani including Viking Eggeling, 1916, (above). An informative video presentation of the exhibition can be accessed here.
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Tête et buste d'homme de face (detail), c. 1912–1913
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A Modigliani drawing from the Dr. Paul Alexandre collection was offered for sale at Artcurial in Paris on October 18. Between 1907 and 1914, Alexandre was one of the artist’s earliest supporters and assembled a large collection of the artist’s drawings. (The collector’s inventory number and stamp are visible at center right.) More information on the sale can be found here.
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Reclining Nude, 1917. Metropolitan Museum of Art, New York
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“Who Was Amedeo Modigliani, and Why Was His Art So Important?,” an essay by Karen Chernick, was recently published by ARTnews. This is a concise yet captivating and well-researched overview of Modigliani’s life and work. Chernick concludes with a discussion of the artist’s posthumous recognition and the complicated nature of his market. Read the article here.
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You are invited to share this newsletter with friends and colleagues. We are grateful for your support. Leslie Koot | Julie Martin | Julia May Boddewyn
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The Modigliani Initiative
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